Get Together and Do It Again Beach Boys
| xx/20 | ||||
|---|---|---|---|---|
 | ||||
| Studio album past the Beach Boys | ||||
| Released | Feb x, 1969 (1969-02-10) | |||
| Recorded | September nineteen, 1966 – Nov 21, 1968 | |||
| Studio |
| |||
| Length | 29:46 | |||
| Label | Capitol | |||
| Producer | Brian Wilson, Carl Wilson, Bruce Johnston, Dennis Wilson, Alan Jardine | |||
| The Beach Boys chronology | ||||
| ||||
| Singles from 20/20 | ||||
| ||||
20/20 is the 15th studio album by American stone band the Beach Boys, released February ten, 1969 on Capitol Records. The LP was named for being their 20th overall album release. Much of it consists of outtakes from earlier albums. It reached number 3 on Great britain record charts and number 68 in the Us. Brian Wilson was absent during most of the album's recording after albeit himself into a psychiatric infirmary, requiring brothers Carl and Dennis to call back several outtakes he had recorded years before. While Brian does not appear on the front cover, the inner gatefold of the original vinyl release features him lonely, backside an centre examination chart.
The singles "Practice It Again" and "Bluebirds over the Mountain" preceded the anthology's release past several months. The former was the band'southward first attempt at revisiting the surf audio they had abandoned since All Summertime Long, topping Uk and Australian charts, and the latter contained the B-side "Never Learn Not to Love", based on a song by Charles Manson. The other singles were "I Can Hear Music" and a rerecorded version of "Cotton Fields". In 2018, session highlights, outtakes, and alternate takes were released for the compilation I Can Hear Music: The 20/20 Sessions.
Groundwork [edit]
On June 24, 1968, the Beach Boys released the album Friends, which peaked at number 126 and remained on the Billboard Elevation LPs chart for 10 weeks. Information technology became the grouping's worst-selling album to date,[1] with record sales in the US estimated at eighteen,000 units.[2] To recuperate from the album's poor sales, the band quickly released the standalone single "Do It Again". The song was a self-conscious throwback to the group's early surf songs, and the first time they had embraced the subject matter since 1964. It reached the United states of america top 20 and became their 2d number i striking in the UK.[three] Biographer Chrisian Matijas-Mecca wrote that "while this may have been some of Brian'south strongest work of the catamenia, it did nada to contrary the band'due south decline in popularity."[4]
Brian Wilson said that by early 1968, the group had begun losing thousands of dollars "on stupid things ... cars, houses ... bad investments ... a heck of a lot of corporation money on Brother Records, our own company, and in boosting other artists who merely didn't brand it, and didn't have a single hit."[5] One of these artists was Ron Wilson (no relation to Brian), who co-wrote "Nosotros're Together Again" with him for the Beach Boys, but the grouping's recording was left unreleased. In turn, Brian produced an ultimately unsuccessful solo single for Ron, a cover of "As Tears Go By", which was released by Columbia Records in September.[half dozen] Another artist that the group worked with was ex-convict Charles Manson, who was then seeking a career as a singer-songwriter. Dennis Wilson befriended Manson and was interested in signing him to Brother Records.[7] Brian and Carl Wilson (not Dennis equally is sometimes suggested) proceeded to co-produce several tracks for Manson at the Embankment Boys' private studio located in Brian'due south home.[viii] These recordings remain unheard by the public.[8] [nb 1]
Over the summer of 1968, Brian attempted to record an organization of the 1927 show tune "Ol' Man River". Co-ordinate to music writer Brian Chidester, the session tapes "reveal Wilson conducting the Beach Boys to such extreme perfectionism that both he and the band seem at the end of their rope with one another".[nine] Friend and Three Dog Dark vocaliser Danny Hutton recalled that Brian expressed suicidal wishes at the time, and that it was "when [Brian's] real decline started".[x] Afterward, Brian was admitted to a psychiatric hospital, possibly of his ain volition.[11] Brian'southward problems were not disclosed to the public, and sessions continued in his absence.[11] Once discharged, Brian rarely finished any tracks for the band, leaving much of his subsequent Beach Boys output for Carl Wilson to consummate.[9] Regarding Brian's participation on the group's recordings from and so, band engineer Stephen Desper said that Brian remained "indirectly involved with product" through Carl.[12] Dennis said that Brian began to have "no involvement at all", which forced the group to "find things that [he] worked on and try and piece information technology together."[13] [nb 2]
Recording and content [edit]
Older songs [edit]
The 2 oldest tracks on 20/twenty were sourced from late 1966 sessions for the band's unfinished album Grinning. "Our Prayer" is a wordless hymn composed by Brian, while "Cabinessence" is a song written by Brian and Van Dyke Parks. Both tracks were given boosted vocal overdubs past Carl and Dennis Wilson in Nov 1968 at Capitol Studios.[16] Co-ordinate to biographer Peter Ames Carlin, Brian was opposed to the inclusion of those tracks and refused the invitation to participate in the overdub sessions.[17] Stephen Desper commented that "Cabinessence" was "finished, more than or less, with Brian's guidance through Carl."[12]
"Bluebirds over the Mountain" is a comprehend of the 1958 Ersel Hickey song, produced by Bruce Johnston in September 1967 at Western Studio[18] and completed in Oct 1968 at Bell Audio.[19] "Time to Get Alone" was written and produced by Brian for the group Redwood (later Three Domestic dog Night) between sessions for the Beach Boys' Wild Honey (1967). Information technology was completed by the Embankment Boys in November 1968 at their studio.[19]
May – July 1968 sessions [edit]
"Exercise It Again", a Brian Wilson and Mike Love collaboration, was the first runway that was worked on after concluding the sessions for Friends.[19] It was recorded in May and June 1968, released equally a unmarried two weeks later, and ultimately chosen as the opening track for 20/twenty. Brian subsequently called it the finest song that he wrote on the album.[1] The album mix differs slightly in that it briefly segues into another Smile outtake, "Workshop", which consists of structure noises and sounds from carpentry tools.[20] "I Went to Sleep" is a flit written by Brian and Carl with a gentle mood and observational lyrics similar to other Brian songs of the menses.[xx] "The Nearest Faraway Identify" is an instrumental produced past Bruce Johnston with the cord organization by Van McCoy. The title came from a Life magazine article written past Shana Alexander.[21]
Leftover tracks from these initial sessions included "All I Wanna Do", "Well You Know I Knew", "Been Style Too Long" (also known every bit "Can't Wait Too Long"), "Walk On By", "We're Together Again", "Sheet Airplane Vocal" (as well known as "Loop de Loop"), "Ol' Man River", "Walkin'", and a demo of "Mona Kona".[19] "Been Way Also Long" is an unfinished song started by Brian in 1967. "Walk On Past" is a cover of the 1963 Burt Bacharach/Hal David vocal, recorded at Brian'due south studio on the aforementioned twenty-four hours every bit the first "Do Information technology Again" session.[19] "Ol' Man River" was intended to be in medley with the standard "Old Folks at Home".[22] "Walkin'" is a song written and sung by Brian that was worked on for 2 days in June 1968.[19] Band archivist Mark Linett said "he gets so disgusted singing it that y'all hear him throw downwards his headphones and that's the terminal time anybody ever heard of it."[23] Besides recorded, according to band manager Nick Grillo, was "a hundred hours of [Manson'south] music at [Brian'due south home] studio".[21]
September – Nov 1968 sessions [edit]
For the majority of July and August, the Beach Boys toured the US and appeared on a few television talk shows.[19] Most of the subsequent new material was tracked at Capitol Studios.[20] Carl produced a rendition of the Ronettes' 1966 song "I Tin can Hear Music" for the grouping, and information technology was the first fourth dimension he was given a sole production credit. Brian said that he also contributed to the recording, explaining "I wanted the instrumental track ... to be smooth and subliminal. I used acoustic guitars. Carl wailed on the lead."[1] Biographer David Leaf called it "the turning indicate in the transition of musical control in the Beach Boys from Brian to Carl".[1] Brian likewise produced a version of Huddie Ledbetter's "Cotton Fields" that he after called "one of the best [records] nosotros've ever made". The thought was suggested by bandmate Al Jardine, who idea they might be able to replicate the success of "Sloop John B" (1966).[ane]
"Never Learn Non to Dear" was originally written by Charles Manson under the title "Cease to Exist". Co-ordinate to Carlin, Manson penned "End to Exist" specifically for the Embankment Boys to record,[24] and biographer Steven Gaines said that Manson "reportedly" wrote the song to help ease tensions inside the group.[25] In substitution for the publishing rights to "End to Be", Manson agreed to a sum of greenbacks and a BSA motorbike.[26] Dennis produced the Embankment Boys' version in September 1968, reworking the song's bluesy structure and altering its lyric (the opening lyric "Cease to exist" modified to "Stop to resist"). The title was as well changed to "Never Learn Non to Dearest", much to Manson'due south indignation.[24] In 1971, when asked why he did non credit Manson, Dennis answered: "He didn't want that. He wanted money instead. I gave him about a hundred thousand dollars' worth of stuff."[27]
Dennis wrote and produced two more songs that appear on the album. "Be with Me" was described past Leaf as "nighttime and eerie ... perfectly capturing his emotions of the era."[1] "All I Desire to Do" is a rocker that features the sounds of Dennis having sexual intercourse with a groupie.[17] Too recorded was Dennis' "A Time to Live in Dreams" (released on 2001'due south Hawthorne, CA)[28] and "Mona Kana" (released on 2013's Made in California).[ citation needed ]
Release and reception [edit]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [29] |
| Blender (Friends/20/20 reissue) | [30] |
| Encyclopedia of Pop Music | [31] |
| MusicHound | 3/5[32] |
| The Rolling Stone Album Guide | [33] |
| Sputnikmusic |  [34] |
Pb single "Bluebirds over the Mountain" (backed with "Never Learn Not to Honey") was issued on November 29, 1968 in the United kingdom of great britain and northern ireland (number 33) and three days later in the US (number 61), becoming the group's everyman-charting unmarried since their 1961 debut "Surfin'".[35] According to biographer Keith Badman, "the new recordings mark[ed] the emergence of Carl and Dennis every bit producers and of Steve Desper as the group'south engineer. Desper is now part of the Embankment Boys' fold and remains a primary engineer on their piece of work early into the adjacent decade."[36] After touring the United kingdom of great britain and northern ireland in Dec, the Embankment Boys returned to Brian's studio to work on the music that would become Sunflower (1970).[36]
Released on February 10, 1969, 20/20 sold amend than Friends, peaking at number iii in the United kingdom of great britain and northern ireland and reaching number 68 in the US.[one] The comprehend photo included every member of the grouping except Brian, which Matijas-Mecca referred to every bit "a sign that the group was adamant to forge their own identity without their founding builder."[37] A photograph of Brian hiding backside an eye examination chart does appear on the gatefold cover.[36] Rolling Stone reviewer Arthur Schmidt said the anthology was "good, [but] flawed mainly by a lack of direction (a sense of direction being concluding evident in Wild Beloved), more than a collection than a whole."[38] An uncredited writer from Hit Parader opined that it was the band's best album since Pet Sounds and an improvement over "the last couple of baffling Beach Boys albums."[39] A reviewer for the underground paper Rat Subterranean News commented that fifty-fifty though it was "against all my advisedly established principles to like The Beach Boys," he enjoyed the LP, even so described most of side i equally "weak".[twoscore]
In Baronial, Charles Manson and his cult of followers committed the Tate–LaBianca murders, and iii months later, were apprehended by police. Their former connections with Dennis and the Beach Boys became the subject of media attending. Manson was later bedevilled for several counts of murder and conspiracy to murder.[41] During the trial, Manson released his debut album, Lie: The Love and Terror Cult, which included his original system of "Cease to Be".[42]
[xx/20 was] the only letdown of the Embankment Boys' career that embarrassed me through and through ... information technology was the first album the group fabricated that was completely disjointed.
—Dennis Wilson, 1976[fifteen]
Among retrospective assessments of 20/twenty, critic Richie Unterberger wrote that it was "one of their improve post-Pet Sounds records ... The highlights, however, were a couple of Smile-session-era tunes ... as hard as they were trying to establish their identity as an integrated band in the late '60s, their new recordings were overshadowed by the $.25 and pieces of Smile that emerged at the fourth dimension."[29] Biographer David Leaf called information technology "one of the most artistically interesting releases of their career and certainly one of the stronger later on LPs."[1] Peter Ames Carlin wrote that "whatever the anthology lacked in thematic coherence, it made up in the quality of the pieces contributed past each band fellow member."[17] Brooklyn Vegan 's Andrew Sacher said that the first side is "uneven and oft disappointing", yet side 2 is "almost flawless".[43]
Rail listing [edit]
Producer credits are as noted on the original vinyl disc. Charles Manson's contributions to "Never Larn Not to Love" remain uncredited.[x]
Original vinyl [edit]
| No. | Title | Writer(southward) | Pb vocal(s) | Length |
|---|---|---|---|---|
| 1. | "Do It Over again" (produced by B. Wilson and C. Wilson) | Brian Wilson, Mike Love | Mike Love, Brian Wilson | two:25 |
| ii. | "I Can Hear Music" (produced by C. Wilson) | Jeff Barry, Ellie Greenwich, Phil Spector | Carl Wilson | ii:36 |
| three. | "Bluebirds over the Mount" (produced by Johnston and C. Wilson) | Ersel Hickey | Love, C. Wilson, Bruce Johnston | 2:51 |
| 4. | "Be With Me" (produced by D. Wilson) | Dennis Wilson | Dennis Wilson | iii:08 |
| five. | "All I Desire to Do" (produced by D. Wilson) | D. Wilson, Stephen Kalinich | Beloved | 2:02 |
| vi. | "The Nearest Faraway Identify" (produced by Johnston) | Bruce Johnston | instrumental | 2:39 |
| No. | Title | Writer(s) | Lead vocal(s) | Length |
|---|---|---|---|---|
| 1. | "Cotton Fields" (produced by B. Wilson and Jardine) | Huddie Ledbetter | Al Jardine | 2:21 |
| 2. | "I Went to Sleep" (produced by B. Wilson) | B. Wilson, Carl Wilson | B. Wilson, C. Wilson | i:36 |
| 3. | "Time to Get Lonely" (produced by C. Wilson) | B. Wilson | C. Wilson, B. Wilson, Jardine | ii:40 |
| 4. | "Never Learn Not to Love" (produced by D. Wilson and C. Wilson) | D. Wilson | D. Wilson | 2:31 |
| v. | "Our Prayer" (produced past B. Wilson) | B. Wilson | grouping | 1:07 |
| 6. | "Cabinessence" (produced by B. Wilson) | B. Wilson, Van Dyke Parks | C. Wilson, Love | iii:34 |
| Total length: | 29:46 | |||
1990/2001 CD bonus tracks [edit]
| No. | Championship | Writer(s) | Lead vocal(due south) | Length |
|---|---|---|---|---|
| xiii. | "Break Away" | B. Wilson, Murry Wilson | C. Wilson, Jardine with B. Wilson | 2:57 |
| 14. | "Celebrate the News" | D. Wilson, Gregg Jakobson | D. Wilson | 3:05 |
| 15. | "We're Together Again" | Ron Wilson | B. Wilson | 1:49 |
| 16. | "Walk On By" | Burt Bacharach, Hal David | B. Wilson with D. Wilson | 0:55 |
| 17. | "Former Folks at Home/Ol' Homo River" | Stephen Foster, Jerome Kern, Oscar Hammerstein II | B. Wilson with Love | 2:52 |
I Can Hear Music [edit]
| I Can Hear Music: The 20/20 Sessions | ||||
|---|---|---|---|---|
 | ||||
| Compilation anthology by the Beach Boys | ||||
| Released | Dec 7, 2018 (2018-12-07) | |||
| Recorded | 1968 | |||
| Label | Capitol | |||
| Producer |
| |||
| Compiler |
| |||
| The Embankment Boys chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | [44] |
| Rolling Rock | [45] |
On December 7, 2018, Capitol released I Can Hear Music: The twenty/20 Sessions, a digital-only compilation. Included are session highlights, outtakes, and alternate versions of 20/20 tracks, every bit well as some unreleased material past Dennis Wilson.[46] Information technology was released in conjunction with Wake the World: The Friends Sessions.[47] The compilations were not issued on physical media due to the record company's wish not to interfere with the release of The Beach Boys with the Royal Combo Orchestra. In 2021, I Can Hear Music was followed with Experience Flows: The Sunflower and Surf'southward Up Sessions.[48]
| No. | Title | Author(due south) | Length |
|---|---|---|---|
| one. | "Do Information technology Over again" (alternate stereo mix) |
| ii:46 |
| 2. | "Do It Again" (a cappella) |
| 2:thirty |
| 3. | "I Can Hear Music" (demo) |
| 1:00 |
| 4. | "I Can Hear Music" (track and bankroll vocals) |
| two:42 |
| 5. | "Bluebirds Over The Mountain" (alternate mix) | Ersel Hickey | ii:56 |
| 6. | "Be With Me" (demo) | Dennis Wilson | 2:45 |
| seven. | "Exist With Me" (2018 track mix) | D. Wilson | iii:17 |
| viii. | "All I Want To Practise" (Dennis Wilson lead song take ii) | D. Wilson | 2:xiii |
| 9. | "The Nearest Faraway Place" (alternate take) | Bruce Johnston | ii:13 |
| 10. | "Cotton Fields" (track and backing vocals) | Atomic number 82 Belly | ii:25 |
| 11. | "I Went To Sleep" (a cappella 2018 mix) |
| ane:35 |
| 12. | "Fourth dimension To Get Lone" (a cappella) | B. Wilson | three:36 |
| 13. | "Never Learn Not To Honey" (runway and backing vocals) | D. Wilson | 2:25 |
| 14. | "Never Learn Not To Love" (a cappella) | D. Wilson | two:23 |
| fifteen. | "Walk On By" (2018 mix) |
| 1:55 |
| 16. | "Rendezvous" (Do It Once again early version) (2018 mix) |
| 2:36 |
| 17. | "Nosotros're Together Once more" (a cappella) |
| 2:01 |
| xviii. | "I Tin can Hear Music" (alternate atomic number 82 vocal) |
| ii:eleven |
| 19. | "All I Wanna Do" (early version track) |
| 2:24 |
| 20. | "Canvas Plane Vocal" (2018 mix) |
| two:19 |
| 21. | "Old Man River" (a capella 2018 mix) |
| 1:18 |
| 22. | "Medley: Sometime Folks At Home/Former Man River" (alternate version) |
| 2:57 |
| 23. | "Medley: Old Folks At Home/Old Man River" (alternate version track) |
| two:59 |
| 24. | "Walkin'" |
| 2:48 |
| 25. | "Been Mode Too Long" (sections) | B. Wilson | 7:56 |
| 26. | "Well You Know I Knew" | D. Wilson | 1:42 |
| 27. | "Love Affair" (demo) | D. Wilson | ii:00 |
| 28. | "Peaches" (demo) | D. Wilson | 2:26 |
| 29. | "The Gong" (session highlights) | D. Wilson | 5:29 |
| 30. | "A Time To Live In Dreams" (2018 mix) |
| i:54 |
| 31. | "All I Want To Practice" (early version) | D. Wilson | one:12 |
| 32. | "All I Want To Do" (Dennis Wilson pb vocal take 1) | D. Wilson | 2:10 |
| 33. | "Bluebirds Over The Mountain" (bones rail) | Hickey | 1:48 |
| 34. | "Bluebirds Over The Mountain" (mono single mix) | Hickey | 2:51 |
| 35. | "Mona Kana" (demo) | D. Wilson | i:16 |
| 36. | "Mona Kana" (2018 mix) |
| 3:03 |
| 37. | "We're Together Again" (remake runway with bankroll vocals) |
| 1:58 |
| 38. | "Time To Get Lone" (remake track) | B. Wilson | ii:46 |
| 39. | "Oh Yep" | unknown | 0:54 |
| 40. | "Is It True What They Say Well-nigh Dixie?" (lead vocals by Audree Wilson) |
| i:47 |
Personnel [edit]
Per Craig Slowinski.[49] This list does not include complete personnel credits for "Time to Get Alone" and "Cabinessence".
The Beach Boys
- Al Jardine – vocals, acoustic guitar, handclaps
- Bruce Johnston – vocals, organ, handclaps, piano, Fender Rhodes
- Mike Love – vocals, handclaps
- Brian Wilson – vocals, pianoforte, organ, Chamberlin, handclaps
- Carl Wilson – vocals, acoustic guitar, electric guitar, bass, handclaps, congas, tambourine (uncertain credit)
- Dennis Wilson – vocals, drums, handclaps, piano
Touring musicians
- Ed Carter – guitar, bass
- Daryl Dragon – marimba, vibraphone
- Mike Kowalski – bongos, sleigh bells, snare pulsate
Guests
- Marilyn Wilson – additional vocals on "Time to Get Alone"
- Diane Rovell – additional vocals on "Time to Become Alone"
Additional session musicians
- Chuck Berghofer – upright bass
- Hal Blaine – drums
- Samuel Boghossian – viola
- Jimmy Bail – upright bass
- David Burk – viola
- Roy Caton – trumpet
- Pete Christlieb – tenor saxophone
- Alf Clausen – French horn
- Jack Coan – cornet
- David Cohen – guitar
- Alan Estes – percussion
- Virgil Evans – trumpet
- Jim Gordon – drums, timbales
- John Guerin – drums, woodblock, tambourine, sleigh bells
- Igor Horoshevsky – cello
- Raymond Kelley – cello
- Larry Knechtel – bass
- Fred Koyan – trumpet
- Willie Maiden – baritone saxophone
- Leonard Malarsky – violin
- Dick McQuary – baritone saxophone
- Roger Neumann – piccolo, flute, fife, tenor saxophone
- John Lowe – bass saxophone
- Glenn Lutz – trumpet
- Don Peake – guitar, electric bass, percussion
- Nib Peterson – trumpet
- Mike Cost – trumpet
- Don Randi – pianoforte, organ
- Joe Randozzo – bass trombone
- Lyle Ritz – upright bass
- Frank De La Rosa – upright bass
- Ernie Small – flute, bass saxophone
- Wally Snow – vibraphone
- Spiro Stamos – violin
- Darrel Terwillger – violin
- Al Vescovo – dobro
- John de Voogt – violin
Charts [edit]
| Chart | Position |
|---|---|
| Dutch Album Chart[50] | twenty |
| German language Albums (Offizielle Peak 100)[51] | 23 |
| UK Top xl Albums[i] | iii |
| United states of america Billboard 200[1] | 68 |
Notes [edit]
- ^ Music historian Andrew Doe stated that the tapes exist, but that they take "non a hope in hell" of existence released.[8]
- ^ Brian's sometime wife Marilyn recalled that Brian withdrew because of perceived resentment from the group: "it was like 'OK you assholes, you lot think you can do as good as me or any – go alee – you practice information technology. You call up information technology'south then like shooting fish in a barrel? You practise it.'"[14] Referencing the allegation that the Embankment Boys refused to allow Brian work, Dennis said "I would get to his house daily and beg, 'What tin can I practise to help y'all?' I said, 'Forget recording, forget all of it.' It got to Brian's wellness."[15]
References [edit]
- ^ a b c d e f g h i j Leaf, David (1990). Friends / xx/xx (CD Liner). The Beach Boys. Capitol Records.
- ^ Stanley, Bob (n.d.). "The Beach Boys and Friends: Their Forgotten Jewel". BBC.co.united kingdom . Retrieved June 15, 2018.
- ^ Badman, Keith (2004). The Embankment Boys: The Definitive Diary of America's Greatest Band, on Phase and in the Studio . Backbeat Books. pp. 221–223. ISBN978-0-87930-818-six.
- ^ Matijas-Mecca, Christian (2017). The Words and Music of Brian Wilson. ABC-CLIO. p. 88. ISBN978-ane-4408-3899-half-dozen.
- ^ Wilson, Brian (May 31, 1969). "Why we're in such a struggle for cash". Disc & Music Echo. p. vii.
- ^ Matijas-Mecca 2017, p. 87.
- ^ Love, Mike (2016). Skilful Vibrations: My Life as a Embankment Boy. Penguin Publishing Group. pp. 203, 208. ISBN978-0-698-40886-9.
- ^ a b c Doe, Andrew G. "Unreleased Albums". Bellagio 10452. Countless Summertime Quarterly. Retrieved July 13, 2014.
- ^ a b Chidester, Brian (January thirty, 2014). "Brian Wilson's Secret Bedroom Tapes". LA Weekly. Archived from the original on March 2, 2014. Retrieved Feb 1, 2014.
- ^ a b Carlin, Peter Ames (2006). Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson. Rodale. pp. 138–141. ISBN978-ane-59486-320-2.
- ^ a b Carlin 2006, p. 141.
- ^ a b Brian Wilson – Songwriter – 1969–1982 – The Next Phase (Documentary).
- ^ Wilson, Dennis (November 1976). "WNEW-FM" (Interview: Audio). Interviewed by Pete Fornatale. New York Urban center.
- ^ Was, Don (1995). Brian Wilson: I Merely Wasn't Made for These Times (Documentary film).
- ^ a b Wilson, Dennis (Nov 1976). "WNEW-FM" (Interview: Audio). Interviewed by Pete Fornatale. New York City. ; Dennis Wilson – Pete Fornatale Interview 1976 on YouTube
- ^ Badman 2004, pp. 188, 387.
- ^ a b c Carlin 2006.
- ^ Doe, Andrew G. "GIGS67". Bellagio 10452. Countless Summer Quarterly. Archived from the original on 2018-09-04. Retrieved 2018-09-01 .
- ^ a b c d due east f g Doe, Andrew M. "Sessions 1968". Bellagio 10452. Endless Summer Quarterly. Retrieved November 28, 2018.
- ^ a b c Matijas-Mecca 2017, p. 90.
- ^ a b Badman 2004, p. 222.
- ^ Carlin 2006, p. 143.
- ^ "Beach Boys Producers Alan Boyd, Dennis Wolfe, Mark Linett Discuss 'Fabricated in California' (Q&A)". Stone Cellar Magazine. September 4, 2013. Archived from the original on September 30, 2013. Retrieved September 9, 2013.
- ^ a b Carlin 2006, p. 138.
- ^ Gaines, Steven (1986). Heroes and Villains: The Truthful Story of The Beach Boys. New York: Da Capo Printing. p. 213. ISBN0306806479.
- ^ Sanders, Ed (2002). The Family. Da Capo Press. p. 64. ISBN1-56025-396-7.
- ^ Nolan, Tom (Nov 11, 1971). "Beach Boys: A California Saga, Role II". Rolling Rock.
- ^ Badman 2004, p. 230.
- ^ a b Unterberger, Richie. "twenty/20". Allmusic . Retrieved April 25, 2011.
- ^ Wolk, Doug. "20/20". Blender. Archived from the original on March ten, 2005.
- ^ Larkin, Colin, ed. (2006). The Encyclopedia of Popular Music (4th ed.). London: Oxford Academy Press. p. 479. ISBN978-0-nineteen-531373-4.
- ^ Graff, Gary; Durchholz, Daniel, eds. (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. p. 84. ISBN1-57859-061-2.
- ^ Brackett, Nathan; with Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide (4th ed.). New York, NY: Fireside/Simon & Schuster. p. 46. ISBN0-7432-0169-8.
- ^ Aaron West. (March 27, 2017). "The Beach Boys: 20/20". Sputnikmusic . Retrieved iii November 2018.
- ^ Badman 2004, pp. 232–233.
- ^ a b c Badman 2004, p. 240.
- ^ Matijas-Mecca 2017, p. 89.
- ^ Schmidt, Arthur (April 19, 1969). "Records". Rolling Stone. San Francisco: Directly Arrow Publishers, Inc. Retrieved 20 April 2015.
- ^ "Albums from Creedence Clearwater Revival, Howlin' Wolf et al". Hit Parader. August 1969.
- ^ Priore, Domenic (2005). Smile: The Story of Brian Wilson's Lost Masterpiece. London: Sanctuary. ISBN1860746276.
- ^ Gaines 1986, p. 219.
- ^ "Lie: The Beloved and Terror Cult – Review". AllMusic . Retrieved January 7, 2017.
- ^ Sacher, Andrew (February nine, 2016). "Beach Boys Albums Ranked Worst to Best". Brooklyn Vegan.
- ^ Erlewine, Stephen Thomas (2019). "I Can Hear Music: The 20/twenty Sessions". AllMusic.
- ^ Hermes, Will (January 18, 2019). "Review: Embankment Boys Plumb Vaults for Postal service-'Pet Sounds' Gems". Rolling Stone.
- ^ "Happy New Music Friday! 'I Can Hear Music: The twenty/xx Sessions' Is Out Now!". The Beach Boys. Dec seven, 2018. Archived from the original on December ten, 2018. Retrieved December 9, 2018.
- ^ "Happy New Music Friday! 'Wake the Earth: The Friends Sessions' Is Out At present!". thebeachboys.com. Dec 7, 2018. Archived from the original on December x, 2018. Retrieved December 9, 2018.
- ^ Willman, Chris (August 31, 2021). "Beach Boys' Archivists on the 'Feel Flows' Boxed Ready, and How the Group Was Peaking — Over again — While the World Wasn't Looking". Variety . Retrieved August 31, 2021.
- ^ Slowinski, Craig (Jump 2019). Bristles, David (ed.). "20/20: fifty Year Anniversary Special Edition". Endless Summer Quarterly Mag. Charlotte, North Carolina.
- ^ "THE BEACH BOYS - 20/twenty". Dutchcharts.nl . Retrieved 10 January 2019.
- ^ "Offiziellecharts.de – Beach Boys – 20/twenty" (in German). GfK Entertainment Charts.
External links [edit]
- 20/20 at Discogs (listing of releases)
Source: https://en.wikipedia.org/wiki/20/20_(The_Beach_Boys_album)
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